...was to be a concert by Hans Reichel, but the gallery was not available. I include this note only because I wanted to find a good place to include a link to Reichel's font, Barmeno
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We are very pleased to announce the re-scheduling of a concert which
was to have taken place September 3, but which was cancelled due to
an emergency hospitalization of the artist.
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Originally scheduled for September 6, The Splatter Trio have had to reschedule to a date in the fall.
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From Austin Texas, this 13-member big band is one of the most creatively eclectic units operating, playing new compositions which have reminded me of Sun Ra, Duke Ellington, Charles Mingus, and Terry Riley at one time or another. The group has been around for 19 years, but only occasionally find the funds necessary to tour (this tour is co-sponsored by WESTAF), so this is their first Bay Area appearance. They are celebrating the release of their new CD, Worldwide. Previous recordings include Benediction, Radiocative, Transformation, and most recently, The Heaven Line. Fans of the tuba will want to attend this concert for the CO2's Jay Rozen, one of the foremost of improvising tubists worldwide! |
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7:30 PM
The following two shows (May 11 and May 23) are co-sponsored by the
Berkeley Festival of the Arts.
Both start at 8:30 PM.
Both take place at:
2026 Shattuck Avenue
(between University and Addison, a block from Berkeley BART)
At CNMAT, 1750 Arch St, Berkeley (by the UC Berkeley campus)
$8-12, sliding scale
Info: CNMAT 510-643-9990, Beanbender's 415-621-1967
(LOOS will also perform Sat. 6/19 at Tehama Alley, 58 Tehama, SF, with Inseminator (Dave Slusser, Len Patterson, Ken Kearney) and the Bran (another plight of medic's...) Pos)
Holland's Ensemble LOOS is known for a variety of projects involving notated music, improvised music, live electronics and avant-garde theatre. They have played at major European festivals such as Donaueschingen Musiktage in Germany, and are passing through the Bay area en route to their performances at the Vancouver Jazz Festival.
The music of LOOS is sparse and intense, with abrupt textural and tempo changes. They acknowledge the influence of Japanese Noh theatre, and have been compared to Captain Beefheart. Kevin Whitehead describes them at length in his book New Dutch Swing, on the Dutch new music scene.
Composers such as Louis Andriesson, Guus Janssen, Richard Barrett, and Cornelius de Bondt have dedicated pieces to LOOS. Recent recordings have appeared on the Donemus/Composers Voice and Geestgronden labels.
"Like Captain Beefheart, van Bergen can make the thorniest stuff really move." Kevin Whitehead
LOOS current lineup:
Peter van Bergen (saxophones and electronics). In an article in Option in 1993, John Corbett lists van Bergen as one of three major avant-garde saxophonists of the '90s (the others being John Butcher and Mats Gustafsson). Van Bergen has a long career in new music, including extended stints with the group Hoketus, and collaborations with Louis Andriesson, Cecil Taylor and the Sun Ra Arkestra.
Huib Emmer (guitars and electronics) is known as both a composer and performer. A recent CD of his chamber music was released on the Dutch Donemus/Composers Voice label, and a CD of electronics on the X-OR label.
Gerard Bouwhuis (piano) is well-known as a performer of classical music, including works of the 20th century. Among his recordings is a disk of pieces by Messian for two pianos.
The other band members are Dennis Rudge (voice and movement), Patricio Wang (guitars), and a percussionist.
Misha Mengelberg and Han Bennink; photos by
Massimo Golfieri and Bill Smith respectively.
May 16, 2000, 8PM. $6-10, sliding scale.
Beanbenders is poking its head up to present a concert by
English violin and electronics artist,
Kaffe Matthews.
And, see
here also.
"Joan of Arc meeting Segovia in a back alley electronics laboratory,
. . . a menage \340 trois of singular mad electronics and strange visions
of a magical musical afterlife."
"Kaffe Matthews . . . . . . If one of Charlie's Angels played the MIDI violin and
had a Marcel Duchamp
fixation . . . . . ."
"Kaffe Matthews . . . . . . A farmer's daughter seduced by urban
tribalism"
At a relatively new space called Tuva: 3192 Adeline, where M.L.K.
and Adeline merge together, half a block south of Ashby BART.
There will
be three sets:
Also at Tuva: 3192 Adeline, where M.L.K. and Adeline merge together, half a block south of Ashby BART, West side of the street.
Mark plays guitar with the Fred Frith Guitar Quartet, the Bang on a Can
All-Stars, and on Paul Simon's recent tour. He's also one of only a
handful of daxophone players in the entire world! (The daxophone is a
bowed, fretted, slat of carved wood - the invention of Hans Reichel -
named for the plaintive cries and low grunts of the "dax": the Eurasian
badger.)
Pamela Z is a San Francisco-based composer/performer and audio artist
who works primarily with voice, live electronic processing, and
sampling technology. In performance, she creates layered works
combining operatic bel canto and experimental extended vocal techniques
with a battery of digital delays, found percussion objects, and sampled
sounds triggered with a MIDI controller called The BodySynthTM (which
allows her to manipulate sound with physical gestures).
Dan plays saxophones, clarinets, oboe, autoharp, violin, toy pianos,
acrusonic organ, trombone and other things. Also known as an MC for
many Beanbender's concerts, and most recently for his music
for Daniel Popsicle, and for a false - or failed - Renaissance.
At the Mills
College Concert Hall (5000 MacArthur Blvd., Oakland)
Beanbender's...
...in collaboration with
Mills College (specifically Chris Brown),
Amoeba Music,
and a grant from a local keyboardist/composer who wishes to
remain anonymous,
and made possible with generous support from the
Wallace-Reader's Digest Funds
via the Western Jazz Presenters Network
...Presents the:
Misha Mengelberg (piano)
Ab Baars (clarinet/saxophone)
Michael Moore (clarinet/saxophone)
Thomas Heberer (trumpet)
Wolter Wierbos (trombone)
Mary Oliver (viola)
Tristan
Honsinger (cello)
Ernst Glerum (bass)
Han Bennink (drums)
Kevin Whitehead, in his recent book
New Dutch
Swing,
gives quite a bit of attention and praise to these musicians,
in particular to Misha and Han, who are generally recognized as
two of the most significant innovators in European music of
the last 35 years.
The rest of the members of the band are all well known in Europe
if not the US - Michael Moore and Han Bennink were 2/3 of the
Clusone Trio.
Beanbender's sponsored
a concert of just Misha and Han last year
September 19,
1999,
and that concert got
mostly rave
reviews
For reservations, e-mail or call: dan@plonsey.com / 510-642-3163.
(Do not call Mills College for anything other than directions - their help
in sponsoring the show is limited to providing the hall at a substantial discount.)
This event is part of the Berkeley Arts Festival, Beanbender's presents an evening of music in the former Lee Frank Jewelers, 2200 Shattuck Avenue, downtown Berkeley, across the street and a block away from our old location, a south of Berkeley BART.
For more information about the Berkeley Arts Festival, call: 510-665-9496.
Ben Goldberg's Brainchild will include: Dan Plonsey, saxophone; Jacob Lindsey, clarinet; John Schott, guitar; Will Bernard, guitar; Zev Averbach, guitar; Carla Kihlstedt, violin; Suzy Thompson, violin; Matt Brubeck, cello; Graham Connah, piano; Devin Hoff, bass; Miya Osaki, bass; Ches Smith, drums; Scott Amendola, drums; Willie Winant, drums; Ethan and Reuben, keyboards?; Sex for Teens, speech.
Daniel Popsicle includes at least the following: Ben Goldberg, clarinet; Michael Zelner, clarinet; Carol Adee, flute; Phil Gelb, shakuhachi; Randy Porter, guitar, cumbus; John Schott, banjo, guitar; John Shiurba, electric guitar; Marc Culbertson, bass; Ward Spangler, percussion; Wayne Vitale, Balinese percussion.
Toychestra is: Lexa Walsh, Paula Alexander, Shari Robertson, Corey Weinstein, Petra Podlahova, and Angela Coon.
And finally, we must assume that Jettison Slinky will play a typical set of conventional, unadventurous, seemingly nostalgic jazz-rock. More information about Graham Connah may be gleaned from this interview in All About Jazz.
Two other favorite concerts were the appearances of the legendary Toychestra. (Appearance 1.)
Thus, we are very pleased to announce:
Fred Frith's solo music is amazing and wonderful for the way in which he can mix shimmery noise, strange tunings, brushes, kitchen utensils, and folk-like melodies into a dramatic and surreal narrative. Frith's compositions received wider public attention recently as the score for "Rivers and Tides," the Andy Goldsworthy film. (This soundtrack will be released by Winter & Winter in June.)
Toychestra's six women are charming and crude superheroes who save bits and pieces of the world at a time from dreary and maddening cynicism with their collection of toy pianos, toy violin, emergency board, yes-man, boing-boing, accordion-people, grrrlz-rule, etc., apparently arranged for under the influence of beer and marshmallow peeps.
Toychestra is: Lexa Walsh, Shari Robertson, Corey Weinstein, Petra Podlahova, Angela Coon, and Michelle Adams.
Saturday, October 11, 2003, 8PM
Dan Plonsey, Mantra Plonsey, Joe Karten, Liz Allbee, Tom Djll,
Lynn Wold and John Schott: FISH POND.
$8.
Thursday, October 16, 2003, 8PM
Chris Jonas, Molly Sturges, Randy McKean, Tom Duff, various Plonseys,
and others, in 1's, 2's, 3's and 4's as chosen by The Hat.
$8.
Wednesday, October 29, 2003, 8PM
The Manufacturing of Humidifiers play together for the first time in... years!
Dan Plonsey, Randy Porter and Ward Spangler.
$10.
Anthony Braxton will be making a rare West Coast appearance with a tentet performance at San Francisco's Victoria Theater on December 11. This will be Mr. Braxton's first Bay Area performance in 6 years, since he played at Yoshi's 1997.
Thursday, December 11, 2003
Victoria Theatre
2961 16th Street
San Francisco, CA 94103
(415) 863-7576
Tickets: $15/20/30, available from
www.tickets.com
Anthony Braxton is considered to be one of the pre-eminent living saxophonists and composers. He is a recent recipient of the MacArthur "Genius" Award. He has written over 300 compositions which range from his ground-breaking solo saxophone works to full-scale operas and pieces for multiple orchestras. He has toured and recorded prolifically, presenting in his bands such musicians as Dave Holland, Marilyn Crispell, George Lewis and Gerry Hemingway. The restless, wide-ranging complexity of his artistic vision frequently confounds the self-appointed guardians of the "jazz tradition," while at the same time inspiring serious listeners as well as countless students. Mr. Braxton is the subject of several books, including his own Tri-Axium Writings and Composition Notes (available from Frog Peak). A former resident of Oakland (he taught at Mills College for six years), he currently lives in Middletown, CT, where he is professor of music composition at Wesleyan University.
The tentet Mr. Braxton will be presenting features many of the players from the critically acclaimed recording Six Compositions (GTM) 2001 in live performance for the first time. The ensemble will premiere new compositions by Mr. Braxton, who will be conducting and performing in the ensemble. The complete ensemble lineup is as follows:
Anthony Braxton: reeds; Liz Allbee: trumpet; Matt Ingalls: clarinets; Greg Kelley (Boston): trumpet; Dan Plonsey: reeds; Gino Robair< /B>: percussion; Scott Rosenberg (LA): reeds; Jay Rozen (NY): tuba; Sarah Schoenbeck (LA): bassoon; John Shiurba: guitar.
Most conspicuously absent from this performance will be our great friend, bassist Matthew Sperry, who was struck and killed by a car this summer. Matthew had been the bass player in "Hedwig and the Angry Inch," which had a long and successful run, also in the Victoria Theatre.
For more information, CDs, interview requests, etc., send e-mail to: Dan Plonsey: plonsey@kato.lmi.net, or call Plonsey at: 510-237-9007.
Links providing more background on Anthony Braxton
About "Six Compositions (GTM) 2001," Ben Watson writes the following in "Hi Fi News":
"For the last decade, Anthony Braxton has declared that the image of the black musician as a mere 'Improvisor' was racist and that he wanted to be treated as a 'composer'. He produced a series of works, often interpreted by inferior collegiate bands, in which system outweighed musical interest. Over-enthusiastic small-label owners conspired to flood the market with poor releases.
"Now, however, Braxton has found a real band, and the critical listener can see the point of his previous experiments. John Shiurba (guitar), Matthew Sperry ( bass), and Gino Robair (percussion) provide just the right speedy context for Braxton's mind-blowing reeds, and carry the tentet required for "Composition No 286". Braxton's iridescent, multicoloured music writhes like a flaming dragon -- Shiurba's skronk guitar adds crucial punk edge. Braxton's solo line has never sounded so intelligent, so potty, so logical an extension of Charlie Parker. Bravo, maestro!"