Sometime shortly before lunch in the mid-to-late 90's, I had the opportunity to
reconnect briefly with my teacher: composer, writer, artist, multi-instrumentalist
Anthony Braxton.
We, the Great Circle Saxophone Quartet, were passing through Middletown Connecticut.
Among much warm and welcome encouragement, Professor Braxton urged each of us to write
"music for the next millennium." Well, it sounded like a big job, and a big responsibility, but I was looking for just that. And at that moment, a vision of the ensemble now called Daniel Popsicle came alive in my head.
It would include both western instruments and a motley assortment of mismatched instruments from around the world: emblems of a science fiction future that's at least as much past: a smaller world, perhaps apocalyptically decimated. Only one saxophone -- the rest having been melted down for unimaginablee future-to-the-ancient machinery. It would include women and men, good readers and bad, friends who would come to rehearsal by car, by train, or on foot from a house five houses away. We cleared aside the minimum clutter necessar from the garage, then I wrote 15 pieces (each of which is represented entirely on one page of 16-staff manuscript paper), baked a couple pies, and Daniel Popsicle was formed. |
Pictured above: Daniel Popsicle at the Ivy Room (Jan uary, 2009). Left to Right: Plonsey, Cory Wright, Micheal Zelner, John Shiurba, Lynn Murdock, Chris Silvey. Photo by Myles Boisen.
Daniel Popsicle at the de Young Museum, September 12, 2014.
L to R: Myra Chachkin, Steve Lew, Jules Ryan, Herb Diamint, Hamir Atwal, Adrian Gormley, John Shiurba, Randy McKean, Cory Wright, Lynn Murdock (hidden behind music), Dan Plonsey. (Photo: Chris Jonas)
Plonsey took Braxton's call for "Music for a new millenium" to mean that it was time overdue for a paradigm shift in the musical world: that existing forms would be no longer sufficiently flexible to meet the needs of the new world-to-be. Daniel Popsicle therefore strives to evoke and bring into being a world less cynical, less troubled and less cluttered, in which art can be as simple as it wants to be, and in which everyone can participate. A world more in tune with our nature as animals, but striving beyond equity (a noble goal) to true generosity.
The music played by Daniel Popsicle is not classical, jazz, rock, or any established genre; rather it is simply Music of El Cerrito: music which is happening here, wherever that largely imaginary, ideal, idealistic here is for us, and for you too. The music is simple: emerging from whatever Plonsey was humming that day, which might have something to do with music he heard last week or as a kid growing up in Cleveland Heights. The music is there to sweep you along, down a creek in an innertube. The music is there to provide color for your art and imagery for your blackberry pie-making. (We hope that you have a bush nearby.)
Ah, if only you could be with us in El Cerrito! If you could sit with us under our willow tree,
sipping mint julips, listening to the music of the wind through the branches and leaves,
the chirp and buzz of the bushtits and hmmingbirds, the occasional appearance of waxwings. If you could walk with us up through the curvy, hilly streets of Northern El Cerrito,
remarking on the strangely beautiful mix of Japanese and Mediterranean style architecture
and landscaping:
the sparse and even scraggly roses spotting a yard of gravel;
and behind each other, but if this is an affront to Euclid, it is utterly without guile)
There is the El Cerrito I describe, the El Cerrito you see in photographs, and then there is the imaginary El Cerrito: distinct from the more cynical, striving, crass, Bay Area. For us, beauty isn't something you purchase: either you make it yourself, or just go outside and look: it's everywhere, but you need the right expectations: the beauty is partly as a result of earnest attempts at replicating various memories of beauty, partly apparently accidental juxtapositions. These houses, these yards... they're not being designed by professionals. It's as though everyone came from far away, and the have to make do with local shapes, local color. You can feel the melancholy, the longing. Our music is like that: imprecisely remembered, unprofessional, but with similar melancholy, yearning. Outsiders.
Since its inception, Daniel Popsicle has been dedicated to presenting the music of El Cerrito, in an open-ended series of volumes. Of the following, music from volumes 1, 2a, 2b, and some of 3 have been recorded. Two pieces from volume 4 were recorded at a concert at the Berkeley Arts Festival. Fourteen pieces from the collected "Cerrito Theatre Music" were performed April 9, 2002, at the Black Box, and were recorded by both Zoka and John Shiurba.
December 1, 1999:
The Starry Plough, Berkeley
With:
Dan Plonsey, c melody sax;
Joe Karten, shofar;
Phil Gelb, shakuhachi;
Ben Goldberg, clarinet;
Tom Yoder, trombone and sackbutt;
Erling Wold, farfisa;
Lynn Wold, acrusonic organ;
Tom Swafford, violin;
Sarah Willner, viola and gangsa;
Samantha Black, cello;
Ashley Adams, bass;
Matthew Sperry, bass;
Randy Porter, cumbus, guitar, violin;
Wayne Vitale, Balinese drum and gangsa;
Ward Spangler, percussion;
with Henry Kuntz, guest, Balinese instruments.
Saturday, July 22, 2000:
The Zeum courtyard.
1PM-3PM. Admission FREE! Poster by Alan Anzalone.
With:
Dan Plonsey, c melody sax;
Phil Gelb, shakuhachi;
Ben Goldberg, clarinet;
Tom Yoder, trombone;
Erling Wold, farfisa;
Lynn Wold, acrusonic organ;
Tom Swafford, violin;
Samantha Black, cello;
Ashley Adams, bass;
Matthew Sperry, bass;
Randy Porter, cumbus, guitar, violin;
Ward Spangler, percussion.
Performed compositions from among "Music for El Cerrito: Volume 1" and
Introductions and sections A-E of Moving About, Humming, Still our Flowers are Blooming Under the Old
Portcullis.
A
Berkeley Arts Festival and Beanbender's Presentation. With: Dan Plonsey, c melody saxophone; Phil Gelb, shakuhachi; Carol Adee, piccolo; Ben Goldberg, Michael Zelner clarinets; Tom Yoder, trombone; Sarah Willner, viola; Randy Porter, electric guitar, violin, cumbus; John Schott, John Shiurba electric guitars; Mark Culbertson, acoustic bass; Wayne Vitale, Ward Spangler, various children percussion; Mantra Ben Ya'akova, voice. |
"Two Eyes and A Nose" and "Cow With Ears" (both 1999) were written for any ensemble of unbalanced, asymmetric instrumentation, preferably including at least one instrument from Bali, and one or two people who can't play their chosen instrument so well. The lyrics to "Cow With Ears" were written by my older son Cleveland, who was three at the time. (He performs with various of my ensembles frequently.) These two compositions are part of an ongoing open-ended cycle of "Music From El Cerrito," in which I use materials, performers, and inspiration close at hand to create music which fails to meet any classical "standards." This music in fact draws upon all of my weaknesses at least as much as upon my strengths, and is intended as an testament to the beauty of being in the wrong place at the wrong time. As such, I dedicate this performance to all those who will be falsely accused of crimes against the USA.
At the The Black Box, 1928 Telegraph Ave, Oakland CA. With: Dan Plonsey, c melody saxophone; Carol Adee, piccolo; Matt Ingalls and Michael Zelner, clarinets; Tom Yoder, trombone; Randy Porter, mandolin, cumbus; John Shiurba, electric guitar; Matthew Sperry and Mark Culbertson, acoustic bass; Lynn Wold, keyboard; Matt Lebofsky, keyboard and drums; Ward Spangler, vibes and percussion; |
Bay Area Awards Show concert at
New Langton Arts,
San Francisco. With:
Dan Plonsey, c melody saxophone;
Ben Goldberg, Matt Ingalls, Michael Zelner, clarinets; Phil Gelb, shakuhachi. Tom Yoder, trombone; Naomi Okuyama, violin; Sarah Willner, viola, violin, Balinese percussion; Steve Kirk, banjo; John Shiurba, electric guitar; John Schott, national steel guitar; Matthew Sperry, acoustic bass; Lynn Wold, keyboard; Ward Spangler, vibraphone, percussion; Suki O'Kane, percussion, toys, electronics. |
``Sort of orchestral modern jazz with a child's melodic mindset. Very odd, very fun... but wished it would have featured more banjo-bass duets...'' -- Scot Hacker |
Monday, August 5, 2002 6:30-8:30PM,
Richmond Art Center
With: Suki O'Kane, Naomi Okuyama, John Shiurba, Matthew Sperry, Lynn Wold, Tom Yoder, Michael Zelner. |
Yoshi's, Oakland
Daniel Popsicle: "Music from El Cerrito: Daniel Popsicle plays
Music by Dan Plonsey"
At Yoshi's -- a
Jazz in Flight
production.
Concert Preview from Contra Costa Times, by Andrew Gilbert
With: Carol Adee,
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"On September 30, the centerpiece of our concert will be
the premiere of a giant piece, Wise King Taken by the Foolish One, which will span the two sets (no pieces will be repeated from set one in set two; the audience is invited to stay for the entire evening of music). In and around this piece will be some other works which range from selections of very short, through-composed works, to tunes and songs which are designed to set up improvisations by the group's many fine players. Indeed, the music I am writing can only be played by musicians with skills in both reading and improvising: they alone can bring the sort of tight-but-looseness, the spontaneous combustability, and the subversiveness which in my opinion is the soul of what we have called Jazz. I am very fortunate to be living in the Bay Area, where uniquely in this world I have access to such musicians who also bring in enormous individual experience in Klezmer, Balinese music, rock, blues, classical music, Salsa, free improv, Italian film music, Japanese music, Brazilian music, and of course all the historical traditions comprising jazz." -- Dan Plonsey |
Sunday, September 28, 2003: The Daniel Popsicle Subsidiary Marching Band (Plonsey, Shiurba, Chernoff, Lebofsky and Zelner) march in the "How Berkeley Can You Be?" Parade. |
Saturday, October 30, 2004 at the Berkeley Arts Festival HQ,
2324 Shattuck Avenue, as part of the Festival:
This concert consisted of two sets of music. With: John Hanes, Mark Culbertson, John Shiurba, Randy Porter, John Schott, Lynn Wold, Tom Yoder, Liz Allbee, Scott Rosenberg, and Plonsey. |
Sunday, June 12, 2005 at the Santa Cruz New Music Works annual
Avant Garden Party, at the UCSC Arboretum
We played a 15 minute semi-improvised marching set and then 30 minutes of Music of El Cerrito, Volume 5: Simple Music: Series 2: "Colors." With: Suki O'Kane, Ward Spangler, John Shiurba, Lynn Wold, Michael Zelner, Randy McKean, Scott Rosenberg and Dan Plonsey. |
The Berkeley Arts Festival HQ (2323 Shattuck Ave., Berkeley).
We played a full concert of two sets of the Color music.
With: Suki O'Kane, Lynn Murdock, Chris Silvey, Tom Yoder, Cory Wright, Michael Zelner, Randy McKean, Joshua Smith, John Schott and Dan Plonsey. Pictured, Left to Right: Chris Silvey, Michael Zelner, Suki O'Kane, Tom Yoder. |
2213 Shattuck Avenue (formerly Gateway Computers next to former site of Eddie Bauer!) $10-$5 Program: Selections from the Color Music of El Cerrito (the complete set comprises 99 pieces, designed to accompany artists at work)
Pictured, Left to Right: Chris Silvey, Randy McKean, Cory Wright, Lynn Murdock, Dan Plonsey. |
At The Chapel of the Chimes, Oakland, as part of the annual summer solstice concert, The Garden of Memory. we played outdoors at the very top and back of the Chapel. We played three setss of: COLOR music, and three parts of Hockey Season. With: Lynn Murdock, Myra Chachkin (cello), Chris Silvey, Cory Wright, Michael Zelner, John Schott, John Shiurba, Mark Culbertson, Suki O'Kane, and Dan Plonsey. Photo by Randy Porter: Standing, L to R: John Schott, Mark Culbertson. Middle row: John Shiurba, Myra Chachkin. Front row: Michael Zelner, Cory Wright, Chris Silvey. Standing, right: Dan Plonsey. Hatted head, back right: Suki O'Kane. |
At the Ivy Room:
858 San Pablo Ave (between Solano Ave & Washington Ave), Albany, CA. With: Jen Baker (on trombone, making her debut with the band), Myra Chachkin, Mark, Culbertson, Lynn Murdock, Suki O'Kane, Dan Plonsey. John Schott, John Shiurba, Chris Silvey, Cory Wright, Michael Zelner. Pictured, left to Right: Plonsey, Wright, Zelner. Photo by Myles Boisen. |
Val Esway's 40th Birthday Party.
With: Myra Chachkin, Mark Culbertson, Lynn Murdock, Suki O'Kane, Dan Plonsey, John Shiurba, Chris Silvey, Josh Smith, Cory Wright, Michael Zelner. Pictured, left to Right: Plonsey, Zelner, O'Kane, Chachkin, Wright, Silvey, Culbertson, Shiurba. Photo by Myles Boisen. |
For the fourth year, we played this fantastic event
of multiple simultaneous performances
as part of the annual summer solstice concert, The Garden of Memory.
Again, we played outdoors at the very top and back of the Chapel.
On this occasion, we alternated sets with Orchestra Nostalgico.
With: Myles Boisen (debut performance), Myra Chachkin, Mark Culbertson, John Hanes, Lynn Murdock, Suki O'Kane, Dan Plonsey, John Shiurba, Cory Wright, Tom Yoder, Michael Zelner.
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In photo:
front row: Michael Zelner, clarinet; Cory Wright, bass clarinet; Dan Plonsey, c melody saxophone. second row: Chris Silvey, trumpet; Tom Yoder, trombone, Jamie Bastien, trombone; Lynn Murdock (legs only), keyboards. third row: John Shiurba, guitar; Suki O'Kane, drums; Mark Culbertson, bass. Photo by Adria Otte. |
October 24, 2010: East Bay Mini-Maker Faire, Park Day School, Oakland, CA.
We were supposed to play outside, but at starting time (11AM, and indeed, all day) it was raining with gusts of wind, so we found a clay sculpture studio inside Studio 1 which was unoccupied and we played there. Only 10-20 people could be in the audience at a time. We premiered the "New Monsters" music, playing #4-13, 16, 21, 22, 24, 27. Musicians: Michael Zelner, Cory Wright, Dan Plonsey, Chris Silvey, Masha Albrecht (making her debut, on violin), Sarah Willner (violin), John Shiurba, John Schott, Lynn Murdock, Mark Culbertson, and Suki O'Kane. In photo, left to right: Masha Albrecht, Sarah Willner, Chris Silvey, John Shiurba, Mark Culbertson. Additional photos of this concert on facebook, posted by Steve Lew. Recorded by Michael Zelner. |
March 26, 2011: La Placita, 2375 Fruitvale Avenue, Oak land, CA
Front: Michael Zelner and Adrian Gormley, clarinets.
Photo by Mantra Plonsey. |
In photo:
front: Masha Albrecht and Sarah Willner, violins; Adrian Gormley, clarinet and bass clarinet; Plonsey (standing, back turned) second row: Lynn Murdock, keyboard; Chris Silvey, trumpet; Adrian Gormley, clarinet and bass clarinet; third row: Ward Spangler, drums; Mark Culbertson, bass. not seen in picture: Michael Zelner and Cory Wright, clarinets and bass clarinet (Wright); Tom Yoder, trombone; John Shiurba, guitar; Myra Chachkin, cello; Steve Lew, electric bass. Photo by Larnie Fox. |
Clockwise from bottom left: Chris Silvey, Adrian Gormley (back of head),
John Shiurba, Myra Chachkin, Suki O'Kane.
Photos by Dan Plonsey
In photo:
Mantra Plonsey, standing; Cory Wright, Adrian Gormley (mostly obscured), Chris Silvey, Masha Albrecht; John Schott, standing in back. Photo by Dan Plonsey |
Saturday, November 5, 2011
Berkeley Arts Festival 2011 Dan Plonsey's Music of El Cerrito: Daniel Popsicle plays new versions of old New Monsters music. With: Cory Wright, Michael Zelner, and Adrian Gormley, clarinets; Chris Silvey, trumpet; Herb Diamant, bassoon; Masha Albrecht, violin; Myra Chachkin, cello; John Shiurba, guitar; Lynn Murdock, piano & bass piano; Ward Spangler, vibes; Suki O'Kane, drums. In photo, left to right: John Shiurba, Myra Chachkin, Herb Diamant, Cory Wright. (Adrian Gormley and Suki O'Kane are behind.) Photo by Dan Plonsey |
Thursday, December 29, 2011
Berkeley Arts Festival 2011 Dan Plonsey's Music of El Cerrito, 2011 Edition: Daniel Popsicle plays new versions of old New Monsters music. Featuring:
Also: "The Museum of Unnatural History":
...and costumes, and cookies... 2133 University Avenue (between Shattuck and Oxford)
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Dan; Cory and Dan; Cookies |
Tuesday, January 31, 2011
Berkeley Arts Festival 2011/2012 Dan Plonsey's Music of El Cerrito, 2012 Edition: Daniel Popsicle plays New Monsters music and More: premieres of New Monsters 89, 90, 91, 93, 94, 95, and the return of "The Public Toe Problem." Featuring: Cory Wright, Michael Zelner, and Adrian Gormley, clarinets; Chris Silvey, tr umpet; Masha Albrecht, violin; Herb Diamant, bassoon; Myra Chachkin, cello; Lynn Murdock, keyboard; Suki O'Kane, drums. 2133 University Avenue (between Shattuck and Oxford) 8PM |
In photo:
Reed section, L to R: Jesse Canterbury, Adrian Gormley (hair visible), Michael Zelner (yellow cap), Cory Wright, Dan Plonsey. not seen in picture: Herb Diamant, bassoon; Chris Silvey, trumpet; Tom Yoder, trombone; Masha Albrecht and Sarah Willner, violins; John Finkbeiner, guitar; Myra Chachkin, cello; Ward Spangler, percussion; Suki O'kane, drums. |
In photo:
Front row, L to R: Masha Albrecht (violin), Myra Chachkin and Jules Ryan (cellos), John Shiurba (guitar). Back row, L to R: Chris Silvey (trumpet), Jesse Canterbury (bass clarinet), Michael Zelner and Cory Wright (clarinets), Suki O'Kane (drums). Behind and slightly left of Jesse: Herb Diamant, bassoon; Not seen: Steve Lew (bass), Lynn Murdock (keyboards), Dan Plonsey (sax). Photo: Dan Plonsey |
In photo:
Front row, L to R: Masha Albrecht (violin), Myra Chachkin and Jules Ryan (cellos), Herb Diamant, Chris Silvey, Randy McKean (mostly obscured), Cory Wright. Back row, L to R: Steve Lew, Hamir Atwal (drums).
We played a 50-minute set. With:
Masha Albrecht (violin), Myra Chachkin and Jules Ryan (cellos),
Lynn Murdock (keyboards),
John Shiurba (guitar), Chris Silvey (trumpet), Adrian Gormley (bass clarinet),
Cory Wright (clarinet), Randy McKean (clarinet, alto sax), Herb Diamant (bassoon), Steve Lew (bass), Hamir Atwal (drums), Dan Plonsey (tenor sax, voice, clarinet). |
In photo:
L to R: Hamir Atwal, John Shiurba, Lynn Murdock. Painting by Gerhard Richter in the background.
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Shiurba, O'Kane, Plonsey, Albrecht, McKean, Silvey.
Photos: Michael Zelner
Below: Eight members of a very early Daniel Popsiclei, circa 2000, after a rehearsal for the recording of "Portcullis." Photo presumably by Mantra Plonsey.
Top row: Tom Swafford, John Shiurba, Sarah Willner
Middle row: Tim Madden, Mike Pukish
Bottom row: Lynn Murdock, Danielle DeGrutolla, Dan Plonsey